The following blog originally ran on filmindependent. The whole purpose is to raise funds for my feature, anyway. Sure, you might be doing it because you want money for something else.
Making a Web Series: The web series, much like a film or TV show, starts with a story idea.
It has to be interesting, it has to be sellable and it should be easily said in one sentence. Always ask yourself — okay, but why would someone watch that? Would your target audience like it again, think of the target audience as someone other than you?
But why do we care? Because this is a freebie, you can all take this onethe girl is an alien and holds inside her the key to the universe her ovaries. I also find that adding minorities helps. Internet video is like a wildly disorganized pile of 3rd grade arts and crafts projects.
How do you make yours stand out? What do they do? How do they stand apart? Think like an agency or a marketing team. What makes your fruit shinier than the others? In fact, the three act structure can and should be applied to everything: Using Break a Leg as an example, we originally intended it to be 22 episodes hiiigh hopes, we had, hiiiigh hopes.
Episodes were going to be Act I: Episodes were going to be Act II: David Penn making his sitcom and dealing with fame.
Episodes were Act III: The plot introduced in Episode 1 — with David Penn going to die — is brought back, with the last few episodes dealing with all the things related to his death. Aside from structuring your season, get to know your characters. Write out a description of your leads, figure out where their lives start in Episode 1 and where they end up in the finale.
Remember, every character like every episode and every season should have an arc. A three-act structure works like this: Will the boy be able to come back from the past Back to the Future?
Will sporty Asian people successfully drift Fast and Furious: The central question is key to your script. Everything in your script should be about solving that question, or leading us closer to the answer.
The first 30 seconds. The beginning of a script needs to do a few things: Whatever it is, your first frame is a little microcosm of your entire film. In a film script, Act I is usually page or 45 depending on how long your screenplay is — brevity, however, is the soul of wit.
In a TV script, it varies some TV scripts are only two-acts, some are threein a web series. I guess the first 2 pages?Hopefully this sounds simple enough — and it is. You’ve likely seen this structure played out dozens or hundreds of times in all kinds of shows.
It works equally well in web series episodes. Here are some examples (spoiler alert): EXAMPLES. Mermates “The Apartment” Problem: Chris needs to .
Body Language in Dialogue Scenes by Rayne Hall Body language can add another dimension to your dialogue scene, because it reveals a person’s intentions, feelings or mood. The five main types of body language are gesture, posture, movement, facial expression and tone of voice.
Mar 15, · For example, in one series, a webisode I outlined was all about how two lovers saw their relationship and its flaws. It was four scenes total: a dialogue between Lover 1 and Lover 2’s sister, a dialogue between Lover 2 and a customer atthe lovers’ shop, a dialogue between Lover 1 and Lover 2, and a short sction scene in which Lover 2 unexpectedly cheats on Lover 1.
Explore Film Script, Screenplay, Webisode Writing A re you seeking to learn how to write screenplays, scripts for film, movies, television, or webisodes? Start taking action towards this truly creative field by reading some of our featured articles by experienced film-script writing coach Jurgen Wolff and visiting our hand-selected sources richly promoting the film script writing topic in depth.
It was an exhilarating and amazing process, but it took years. I was a part of Film Independent’s Screenwriting Lab for my second feature, A Day with RK. It was around that time that I craved and missed working online.
I loved making graphics, short videos and honestly, just being involved in media making that is more immediate. If you write a script, you can pitch that script to managers and agents for six months or a year.
And then, you get that one yes or five yeses and all five of those managers and producers and agents are putting that script on their desk, and may take six more months to read that script.