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It is believed that Chinese characters came to Japan at the very beginning of the fifth century, brought by immigrants from the mainland of Korean and Chinese descent.
Early Japanese texts first followed the Chinese model,  before gradually transitioning to a hybrid of Chinese characters used in Japanese syntactical formats, resulting in sentences that looked like Chinese but were read phonetically as Japanese.
Heian literature — [ edit ] Main article: The Heian period has been referred to as the golden era of art and literature in Japan. Reflecting the aristocratic atmosphere, the poetry was elegant and sophisticated and expressed emotions in a rhetorical style.
Editing the resulting anthologies of poetry soon became a national pastime. The iroha poem, now one of two standard orderings for the Japanese syllabarywas also developed during the early Heian period. Genji Monogatari The Tale of Genjiwritten in the early 11th century by a woman named Murasaki Shikibuis considered the pre-eminent novel of Heian fiction.
The volumes cover various tales from IndiaChina and Japan. The 10th-century Japanese narrative, Taketori Monogatari The Tale of the Bamboo Cuttercan be considered an early example of proto- science fiction. The protagonist of the story, Kaguya- himeis a princess from the Moon who is sent to Earth for safety during a celestial war, and is found and raised by a bamboo cutter.
She is later taken back to her extraterrestrial family in an illustrated depiction of a disc-shaped flying object similar to a flying saucer.
Despite a decline in the importance of the imperial court, aristocratic literature remained the center of Japanese culture in the beginning of the Kamakura period.
Many literary works were marked by a nostalgia for the Heian period. However, there were fewer notable works by female authors during this period, reflecting the lowered status of women. Classical court literature, which had been the focal point of Japanese literature up until this point, gradually disappeared.
Literature during this time was written during the largely peaceful Tokugawa Period commonly referred to as the Edo Period. Due in large part to the rise of the working and middle classes in the new capital of Edo modern Tokyoforms of popular drama developed which would later evolve into kabuki.
Ihara's Life of an Amorous Man is considered the first work in this genre. Before her time, haiku by women were often dismissed and ignored.
Her dedication toward her career not only paved a way for her career but it also opened a path for other women to follow.
While still a teenager, she had already become very popular all over Japan for her poetry. Her poems, although mostly dealing with nature, work for a unity of nature with humanity  Her own life was that of the haikai poets who made their lives and the world they lived in one with themselves, living a simple and humble life.
She was able to make connections by being observant and carefully studying the unique things around her ordinary world and writing them down. The polymath Hiraga Gennai — was a scholar of Rangaku and a writer of popular fiction.
As a full-blown translation from a Western language, it was the first of its kind in Japan. Although there was a minor Western influence trickling into the country from the Dutch settlement at Nagasakiit was the importation of Chinese vernacular fiction that proved the greatest outside influence on the development of Early Modern Japanese fiction.
Two yomihon masterpieces were written by Ueda Akinari — Ugetsu monogatari and Harusame monogatari. Genres included horror, crime stories, morality stories, comedy, and pornography—often accompanied by colorful woodcut prints.Submit your contest for possible posting. But first, please read what we DON'T post.
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